August 13, 2019


This radical new musical language was in part facilitated by Ligeti’s recently developed technique of micropolyphony. For much of Atmosphères. GYÖRGY LIGETI – Atmosphères – Volumina · Lux aeterna – Etüde · Etude No. 1» Harmonies«- Lontano · Ramifications – Melodien for Orchestra – Gerd Zacher. Gyorgy Ligeti was born in Transylvania in His family originated in Hungary. I discovered his music after purchasing the soundtrack for Stanley Kubrick’s.

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A Space Odyssey—Original Soundtrack.

The piece opens with a “fully chromatic cluster covering more than five octavesheld by strings and soft woodwinds “, out of which various groups of instruments drop out successively, followed by various “strands of sonic fabric” reenter the composition, first white notes then black notes along with shifts in timbre and duration of notes which drive the piece forward.

Stanley Kubrick chose this piece and others by Ligeti for the scenes in deep space and those with the monolith in his film Rather the listener hears an all but motionless series of sound evolutions unfolding at various moments”.


There is absolutely no discernible melody, harmony is reduced to the drifting of saturated chromatic clusters, and pulse — or any sense of normal rhythmical articulation — is entirely absent. These things and others arrive and leave as if of themselves. I have read the data protection statement and agree to its validity. Hardly audible as a canon, by virtue of its general pppp dynamic level as well as its density, the passage achieves the global effect of a cluster being gradually compressed from three-and-a-half octaves to the space of a minor third.


Some textures could be layered and juxtaposed; some musical structures will mix with others seamlessly, while other structures will stand out. Notify me of new comments via atmospherse. Retrieved December 20, Kubrick got the otherworldly, gravity-free aural effect he wanted, and Ligeti gained another hearing and a new audience for his work.

After Apparitionsit was the second piece Ligeti wrote to exploit what he called a ” micropolyphonic ” texture. A Space Odyssey because its quality of mystery was a good sonic realization of his vision.

Instead the liheti is confronted with a slow-motion succession of textures, one oozing atmospheeres the other, where the instrumental sonority seems to have more in common with the dissolves and hums of electronic music than that of a normal symphony orchestra. Help us improve this article! By continuing to use this website, you agree to their use.

Ligeti, the great-nephew of…. Ligeti had flung the door wide open to new worlds of sound and structure.

Retrieved from ” https: Internet URLs are the best. Sign up for our newsletter! An expatriate, Kubrick was…. The piece evokes a sense of timelessness in which the listener is lost in a web of texture and tonality.


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Micropolyphony has its first great example here in a mirror canon in forty-eight parts, the twenty-eight violins moving in a downward direction while the twenty violas and cellos climb. Webarchive template atmospherfs links All articles with dead external links Articles with dead external links from October Articles with permanently dead external links. The listening guide is a nice touch as well.

Get to Know the ASO. Indiana University Press, Stanley KubrickAmerican motion-picture director and writer whose films are characterized by his dramatic visual style, meticulous attention to detail, and a detached, often ironic or pessimistic perspective.

Atmosphères – Wikipedia

Sustained chords build tension through the gradual alteration of pitch. Publishers Group West, But the piece reached its widest audience inwhen American filmmaker Stanley Kubrick used it in the sound track of We welcome suggested improvements to any of our articles. The piece heavily utilizes tone clusters of notes meaning several adjacent notes on a scale are played in which generally no two instruments ever play the same note.